One of the most indelible images from our first few months in France was of the asylum-seekers I saw storming the door at the prefecture in Marseille one morning. The foreigners were mostly men, and the speed and aggression with which they approached the doors at opening time revealed so clearly and painfully their desperation and their need. They were grabbing as hard as they could for the chance to find a safe place for their families to re-build a home and a life. My family was in the longer, more sedate line, of legal immigrants, of people with residency permits in process, all of us with far greater prospects for staying in France. The road to residency was still not an easy one, even for us as temporary seekers (see Les documents Sept. 2011, for a small example of the monumental pile of documents we needed), but we did not have the added pressures of a lost home or the painful memories of a lost life.
I've been thinking a lot about those asylum-seekers as well as of the thousands of refugees that were passing very close to France's southern shores in the months before we left, those Eritrean and Somalian refugees arriving by the boatload to Italy's islands (see for example, Italian coastguard rescues 700 refugees, Oct. 25, 2013, France24news) Then there were, and are, the enormous waves of Syrian war refugees fleeing their villages and country to re-start their lives in Europe, adding to the pressures of those tasked with helping refugees. And finally, in November, a natural disaster on the other side of the globe created more refugees, by uprooting the homes and lives of thousands of Filipinos. Meanwhile, my family prepared to leave our temporary home in France, and we arrived fairly calmly and to open arms to our 'home' in the U.S. Yet, because our physical home, our house, is currently occupied by renters, we have since had a very small taste of what life must feel like for those forced to move from shelter to shelter, bed to bed. We've slept in 7 different beds since we moved out of our French apartment a little over a month ago, carrying our winter clothes in two suitcases each, and bags of books, electronics, and food. Certainly, our welcome has been significantly warmer (after all, we have returned to what we call 'home'), and our shelters have been much more comfortable than the government-issue tents or makeshift lean-tos of scrap wood and metal used by the Eritrean, Syrian, and Filipino refugess. But we understand a little of what it must feel like to lead a nomadic existence all the while trying to work, to attend school, and to manage the mundane tasks that every family needs done, day in and day out. It's very different from moving about say as tourists, because being a tourist is such a temporary, and more luxurious and artificial experience of daily life. Not having a real place to call home in the long-term, in which to settle in, to rest, to recharge is debilitating, on both a personal and social level. I've discovered how rootless one feels living out of unpacked bags and suitcases for weeks on end, and how disorienting it is to wake up in so many unfamiliar beds. It's like being a fish out of water, not a good situation in the long term. My family's status is quite temporary and far from being detrimental, but imagine if we had to figure out how to get water, cooking supplies, and food, and access to toilets and showers, on a daily basis for months to come, as many thousands of families all over the world are right now, or if we had to deal also with the lingering personal and other traumas related to forced and dangerous departures, such as those resulting from political unrest or war in one's country, or a natural disaster in one's town, or even abusive relations in one's home. Without stable, safe, permanent places in which to catch one's breath, in which to lick one's wounds, in which to prepare for one's social roles, children can't do well in school, and adults can't be effective employees and contributors to society. Homelessness hurts on so many levels.
Showing posts with label housing. Show all posts
Showing posts with label housing. Show all posts
02 January 2014
30 September 2013
Cobain et Cézanne
Last week, a flurry of news stories reported the real estate listing of a childhood home of Kurt Cobain, the singer of Nirvana (see "Kurt Cobain's Childhood Home...." Sept. 25, 2013, The Guardian.). He grew up in the town adjacent to my childhood hometown, and I recognized the house for sale as one like many other working class homes in the area, small and modest. The asking price however significantly exceeds the property and building value, so some people are obviously attaching more value to this little house because someone lived there who later became famous. This is another excellent reflection of how we construct and re-construct the social meaning of things, places and people (for other examples, see De l'eau Jan. 2012, or Les âmes des vivants et des morts Oct. 2012). The passage of time especially influences how we come to understand and re-imagine certain people's contributions and even the places they passed through.
It's a little like this in Aix en Provence, where native son Paul Cézanne was long unappreciated for his art, and his family didn't really fit in as they were seen as interlopers in old Aix society. Cézanne himself was known as a difficult person so that may also have contributed to the lack of enthusiasm for him or his art. Even the early director of the local art museum refused to acquire any of Cézanne's oeuvres for its collections. Today though, Cézanne's image has been significantly rehabilitated. He is often portrayed as the godfather among the artists who came to the south of France or who were inspired by his use of color and landscape themes (see my post Un été en Provence, August 2013 ). His studio, artworks, the sites where he painted, his family's estate, all are cherished parts of this town and renowned tourist attractions. Plaques on walls tell where Cézanne was born, where he went to school, where he died, we know where he was baptised, we can see the signage from his father's hat shop, and his statue on the Rotonde is a good meeting spot. Cézanne fans can even follow his footsteps through town guided by golden plaques embedded in the sidewalks and farther afield, one can walk on trails to his favorite painting spots.
The plaques on the sidewalks go right past the building in which my family has lived for nearly two years. For many months after moving here, I wondered what exactly the tourists were gazing at on our relatively plain and modest building. I figured they were misreading their guidebooks or maps as there are two former private mansions with ornately carved doors and elaborate window trims just to the west of us, and the famous French revolutionary Mirabeau's mother-in-law's mansion with its grand gate is situated across the street at the next corner in the other direction. It turns out that we are living in a former residence of the Cézanne family, a detail that is very briefly mentioned on some tourist office information, but not on any signs on the building or street. Even our flat's owner did not know the historical provenance of the building. Apparently, Cézanne's mother owned the building from 1878 and lived here briefly and then gave it to her daughter Rose as part of her dowry in her marriage to a local lawyer, Maxime Conil. The Conils had four children while living in this private residence, so it is very possible that Oncle Paul himself passed some time in the house. Now the mansion has been carved up into multiple apartments and there is no clear evidence that a great artist may have visited or even that a successful Aixois family raised its children here, just like Cobain's childhood home has very few traces of him. Yet, for those of us with broad imaginations, reconstructing what might have happened in a home where someone famous passed through is fun, (it's what museums do for us sometimes too). That the famous person may not have been well-understood or appreciated in his time does not preclude us from imagining that he, on some level, was just like us: he probably looked out these same tall windows in this Aixois mansion, or through the front window of that drafty little Aberdeen house. As a sociologist, this is often enough for me, to imagine the common experiences among people of different times and places. For others, the excitement lies in the further possibility that maybe, by association, some of the creative genius of past inhabitants might rub off on them. After all, where did Cézanne and Cobain get their artistic inspiration if not from what they saw when they looked out those windows--that luminous Provençal light for one, and the gray Pacific NW drizzle for the other?
It's a little like this in Aix en Provence, where native son Paul Cézanne was long unappreciated for his art, and his family didn't really fit in as they were seen as interlopers in old Aix society. Cézanne himself was known as a difficult person so that may also have contributed to the lack of enthusiasm for him or his art. Even the early director of the local art museum refused to acquire any of Cézanne's oeuvres for its collections. Today though, Cézanne's image has been significantly rehabilitated. He is often portrayed as the godfather among the artists who came to the south of France or who were inspired by his use of color and landscape themes (see my post Un été en Provence, August 2013 ). His studio, artworks, the sites where he painted, his family's estate, all are cherished parts of this town and renowned tourist attractions. Plaques on walls tell where Cézanne was born, where he went to school, where he died, we know where he was baptised, we can see the signage from his father's hat shop, and his statue on the Rotonde is a good meeting spot. Cézanne fans can even follow his footsteps through town guided by golden plaques embedded in the sidewalks and farther afield, one can walk on trails to his favorite painting spots. The plaques on the sidewalks go right past the building in which my family has lived for nearly two years. For many months after moving here, I wondered what exactly the tourists were gazing at on our relatively plain and modest building. I figured they were misreading their guidebooks or maps as there are two former private mansions with ornately carved doors and elaborate window trims just to the west of us, and the famous French revolutionary Mirabeau's mother-in-law's mansion with its grand gate is situated across the street at the next corner in the other direction. It turns out that we are living in a former residence of the Cézanne family, a detail that is very briefly mentioned on some tourist office information, but not on any signs on the building or street. Even our flat's owner did not know the historical provenance of the building. Apparently, Cézanne's mother owned the building from 1878 and lived here briefly and then gave it to her daughter Rose as part of her dowry in her marriage to a local lawyer, Maxime Conil. The Conils had four children while living in this private residence, so it is very possible that Oncle Paul himself passed some time in the house. Now the mansion has been carved up into multiple apartments and there is no clear evidence that a great artist may have visited or even that a successful Aixois family raised its children here, just like Cobain's childhood home has very few traces of him. Yet, for those of us with broad imaginations, reconstructing what might have happened in a home where someone famous passed through is fun, (it's what museums do for us sometimes too). That the famous person may not have been well-understood or appreciated in his time does not preclude us from imagining that he, on some level, was just like us: he probably looked out these same tall windows in this Aixois mansion, or through the front window of that drafty little Aberdeen house. As a sociologist, this is often enough for me, to imagine the common experiences among people of different times and places. For others, the excitement lies in the further possibility that maybe, by association, some of the creative genius of past inhabitants might rub off on them. After all, where did Cézanne and Cobain get their artistic inspiration if not from what they saw when they looked out those windows--that luminous Provençal light for one, and the gray Pacific NW drizzle for the other?
03 September 2013
Les chemins
One thing that can make me anxious in less than five minutes in the South of France is to get an address to someone's home that begins "Chemin de la...." I usually think of a chemin as a country road, as a route leading to a farm or something. For example, I took a chemin today with a friend to pick up her produce box (look how beautiful these are right now with the new grapes and peppers and tomatoes), and for once, I got just what I expected. Yet, I can't even count anymore how many times I've gone off confidently to visit a new acquaintance or take my kids to a birthday party in our car only to find myself essentially still within city limits, turning off the route departementale or nationale and suddenly bouncing along on a pot-holed, gravelly, ever-narrow, what-I-would-call logging road (I grew up in a logging town in the Pacific NW so I know what these are), wondering if I made a wrong turn and if I will have room to let an oncoming car by me. Often, my navigator app on my phone urges me to continue on this seemingly remote road, and sometimes I do, despite having to reverse or somehow squeeze by an occasional car coming towards me. Other times, I stop and phone my host to double-check, like last week when my son said, 'Mom, no way, this CAN'T be right!'. Yet EVERY time, I am surprised to find myself eventually at a tall, often forbidding gate that when opened remotely, takes me down a rough driveway that ends up at......a gorgeous French home. And all the other gates along the crazy road I've just driven down lead to similar homes. I've never seen anything like this anywhere! A French friend tells me that this may be a bit particular to the south. I don't know yet what to call the phenomenon, but I still find it so surprising.
What is it about the forbidding routes to residential homes? I've decided these are the result of shrewd calculations about impression management, coupled with perhaps a greater French tolerance for discomfort. Or, maybe there is some stinginess too? First impressions and packaging are very important to the French, when it comes to public encounters and outward appearances. People dress well here, especially in town like the woman I saw in Aix today walking her dog in the highest, spikiest heels I could imagine for the job. Gifts and pastries all arrive pretty in boxes, with even single pastries laboriously packaged, such as l'opéra that I enjoyed myself one night recently. But, family homes are much more private here than in many other places; they hide behind high walls and gated driveways. Earlier, I suggested that this is in part for reasons of privacy and concerns about security (see Maisons and chateaux, November 2012). Popping over to borrow a cup of sugar from a neighbor might not be that common here, because popping over would mean exiting one's gate, ringing the buzzer on the neighbor's, and that puts pressure on the neighbors to keep up appearances and manage impressions. Perhaps because family and home lives seem to be more private here, people may be less compelled to make the effort to create a beautiful, comfortable entry road to one's home. It also seems to be true that the French tolerate personal discomforts to a degree that many others might not (eg. bathroom facilities, indoor heating...), even tolerating unhappiness more than most (see Contentement, May 2013). Bouncing along on a ungroomed, unpaved, uneven, tiny road to get to and from work or school each day may just not be a big deal to many people here. Or, maybe some are simply not willing to fork out the money to improve the roads to their homes? Is this another one of those instances where if the public interest isn't there, no one will take care of a bumpy situation?
What is it about the forbidding routes to residential homes? I've decided these are the result of shrewd calculations about impression management, coupled with perhaps a greater French tolerance for discomfort. Or, maybe there is some stinginess too? First impressions and packaging are very important to the French, when it comes to public encounters and outward appearances. People dress well here, especially in town like the woman I saw in Aix today walking her dog in the highest, spikiest heels I could imagine for the job. Gifts and pastries all arrive pretty in boxes, with even single pastries laboriously packaged, such as l'opéra that I enjoyed myself one night recently. But, family homes are much more private here than in many other places; they hide behind high walls and gated driveways. Earlier, I suggested that this is in part for reasons of privacy and concerns about security (see Maisons and chateaux, November 2012). Popping over to borrow a cup of sugar from a neighbor might not be that common here, because popping over would mean exiting one's gate, ringing the buzzer on the neighbor's, and that puts pressure on the neighbors to keep up appearances and manage impressions. Perhaps because family and home lives seem to be more private here, people may be less compelled to make the effort to create a beautiful, comfortable entry road to one's home. It also seems to be true that the French tolerate personal discomforts to a degree that many others might not (eg. bathroom facilities, indoor heating...), even tolerating unhappiness more than most (see Contentement, May 2013). Bouncing along on a ungroomed, unpaved, uneven, tiny road to get to and from work or school each day may just not be a big deal to many people here. Or, maybe some are simply not willing to fork out the money to improve the roads to their homes? Is this another one of those instances where if the public interest isn't there, no one will take care of a bumpy situation?
15 April 2013
Blocs de construction
In France, construction is one of the sectors that remains weak, contributing to troublesome nationwide unemployment. (I wrote about this in Une porte fermée March 2013. ) Here in the south, building cranes are especially prominent over public works projects, as in Marseille where the city is still in the process of completing its Year of Culture preparations, but it is unclear how much the new construction is actually affecting the high unemployment rate in the city (some indicators suggest 16%, compared to 10-11% nationwide, Renier, Romain 7/0/2012 "Marseille: entre precarité..." La Tribune ). Meanwhile in Aix, other public works projects are beautifying the city, adding more pedestrian-friendly elements, and bringing in some housing. At least one major private sector non-residential project is underway, at the former site of the Aix tourist office which will be transformed into a new Apple retail store (see the initial demolition below, this past winter). Yet, even the slight improvement in the past months that Moody's credits to construction is still too light to improve the employment prospects here (Moody's Analytics 2013. ", Dismal Scientist: France ).
Construction starts are important for the coastal town in which I was raised too, which has long been dependent on the logging and sale of lumber. Today's New York Times features an article about that town (with a nearly 14% unemployment rate), which is hoping that the slight improvements in construction starts nationwide will spur enough demand to allow a paper mill to reopen. (Click here Thompson, Kirk. 2013, April 15. A Mill's Fate Weighs Heavily on a Washington Timber Town, The New York Times.) As in France, since the mid-2000's , the U.S. has seen a significant decline in housing and non-residential construction ( Hadi, Adam. 2011, April. "Construction employment peaks..." Monthly Labor Review. Bureau of Labor Statistics), and this affects all kinds of communities, and not just the folks who are unemployed, but those who provide support services or even run or work at the local grocery stores and restaurants. The biggest difference though is that in France, some of the construction starts that are taking place are public ones. We don't see the state as active in our construction sector in the U.S. Unemployment benefits are higher in France (the minimum weekly benefits for 2013 in Washington state is $143 which is about 109 euros, while the minimum benefit is 193 euros in France, about $252), and they seem to last longer. So, creating jobs through public works is at least one way to get les sans-emplois (unemployed) off the dole in France, and perhaps spur some private housing investment. We'll see what kinds of building blocks the private sector is able to come up with in my little hometown.
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